The Art Space

Jangarh Singh Shyam belonged to tribal Gond community hailing from a small village of Patangarh in Mandla district of Madhya Pradesh. Born in 1962 Shyam did not receive much formal education and was a self taught artist.His paintings reflect a strong vision of tribal practices that have been passed on from generations. Heavily influenced by his surroundings, his works often depict natural elements like birds, trees, animals and local deities like Bagh Dev, Marahi Dev etc.  Jangarh Singh Shyam in his studio.Courtesy: Wikipedia Creative Commons His early works involved decorating homes and ceremonial spaces with traditional murals, however his talent got recognized at an early age of 16 when renowned artist Jagdish Swaminathan, the then director of Bharat Bhavan in Bhopal visited Mandla with an intent of building a collection of tribal art in Bhopal. During his visit Swaminathan stumbled upon the beautifully decorated walls of houses and discovered his talent and brought him to ...

Founded in 2010 by the Kochi Biennale Foundation, Kochi Muziris Biennale is India’s first and largest International exhibition of Contemporary Art. Kochi Biennale sixth edition titled ‘For the Time Being’ is curated by multi disciplinary artist Nikhil Chopra along with HH Art spaces, an artist led organization based in Goa. The biennale opened on 12th December, 2025 and features about 66 projects from 25 countries with main focus on envisioning a living, evolving and responsive art, ecosystem that prioritizes process, friendship and collaboration over biennale models.          Courtesy: www.kochimuzirisbiennale.org This year’s edition centres around emerging a global perspective by bringing together artists from across India and the world, the biennale presents works spanning diverse mediums and disciplines. The idea is to present biennale as a living eco system rather than a singular exhibition where each element shares space, time and resources and grows ...

Latitude 28 opened its exhibition “Evolution / Involution”on 3rd February, 2026 - an exhibition curated by Khushboo Jain provides a platform to 17 International artists like Alexander Gorlizk, Desmond Lazaro, Jethro Buck, Nicole Frobush, Sohan Qadri and many more. Artwork by Desmond Lazaro, Courtesy: Latitude 28 Director Bhavna Kakkar believes that the exhibition begins with the most elemental gesture, the Bindu not as a static symbol, but as a living point of possibilities. Master artists such Sohan Qadri and Prabhakar Barwe set in motion a profound visual and philosophical wave, one that reshaped how abstraction, energy and inner structure could be approached between South Asian Art. Curator Khushboo Jain feels that these graphic notations circles, points, grids and pulsating geometries are not merely formal devices but are propositions: way of thinking, sensing and entering state of inwardness. ‘Bindu’ being the central core image not only works as a symbol but as an organizing prin...

 Pulp Society presents a solo exhibition of artist Palak Modi titled “404: Self not found”. The exhibition reflects on how personal agency is challenged in an age of prediction and automation, and how selfhood becomes something constantly negotiated within and against technology. Algorithmic Flesh 1, Mixed media on sandpaper, 9 x 11 inches, 2025, Courtesy: Pulp Society The exhibition focuses on her practice where she explores the possibility of what our minds become when overloaded by constant digital input. Through her art she introspects how our world typically weaves around screens, algorithms, online systems and the very reality of technology. She feels while the technology is designed to make our life easier, it quietly changes the way we think and feel everyday.   She also examines how the digital world reduces complex human experience into simple data points. As identities become filtered and measured through digital systems, we begin to see ourselves through the l...

Fresco painting in India has a rich history, especially in the context of ancient and medieval art. While it might not be as widely recognized as in some other regions, India has several notable fresco examples. Ajanta and Ellora Caves : These UNESCO World Heritage Sites in Maharashtra feature stunning frescoes dating back to the 2nd century BCE to the 6th century CE. The Ajanta Caves showcase elaborate paintings depicting the life of Buddha and various Jataka tales. The Ellora Caves also have some frescoes, albeit fewer in number compared to Ajanta, portraying Hindu, Buddhist, and Jain themes. Shekhawati Region : In Rajasthan, particularly in the Shekhawati region, fresco paintings adorn havelis (traditional ornate homes). These frescoes depict a variety of themes, including mythological stories, daily life scenes, and religious motifs. The town of Mandawa is known for its beautifully painted havelis showcasing this art form. Bundi Palace : The palace in Bundi, Rajasthan, is renowned ...

  Amrita Sher-Gil was a renowned Indian painter, often considered one of the most important Indian artists of the 20th century. Born in 1913 to a Sikh father and a Hungarian mother, Sher-Gil's artistic talent was evident from a young age. She studied art in Paris at the Ecole des Beaux-Arts and the Grande Chaumière, where she was influenced by European art movements like Post-Impressionism. Sher-Gil's work is known for its unique blend of Western techniques with traditional Indian art styles. She painted mostly portraits and landscapes, capturing the essence of India and its people. Her art often depicted the lives of Indian villagers and reflected the socio-economic realities of the time. Tragically, Sher-Gil passed away at a young age of 28 in 1941, leaving behind a relatively small but impactful body of work that continues to influence and inspire artists to this day. Her legacy remains significant in the history of Indian art, celebrated for its richness, depth, and portray...